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Akhara Drama Review: A Rollercoaster of Emotions

Written by: Shahid Dogar

Directed by: Anjum Shahzad

Produced by: Multiverse Entertainment

Schedule: Wednesday & Thursday at 8:00 pm on Green TV Entertainment

I have to admit, the teasers for Akhara didn’t generate much excitement as expected for upcoming dramas that usually grab the audience’s attention. I was also doubtful, especially considering Green TV’s mixed history with experimental projects. However, when I finally decided to watch Akhara after 8 episodes had already aired, I was pleasantly surprised! Right from the start, Akhara breaks away from the usual drama conventions. Instead, it boldly explores new paths and mostly succeeds.

Akhara boasts a well-written script, interesting characters, and mostly presents an authentic depiction of an unfamiliar world. It stands out as a great example of heartfelt storytelling that effortlessly draws you in. At its core, Akhara is a story of revenge that explores the complexities of human relationships and emotions. The addition of romance in Akhara is a brilliant move by the writer, executed with intelligence and intrigue. The romantic aspects blend seamlessly, providing some light moments amidst the drama’s intense themes of revenge and human emotion.

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In Akhara, the characters are well-developed, each having distinct traits that enrich the story. The relationships among Hakim’s household members are clearly defined, making it easy for viewers to grasp their dynamics. The writer avoids typical character stereotypes, presenting dynamic relationships that defy expectations, adding depth to the storyline. However, Sitara and Rustam’s storyline may be confusing at times, especially considering Sitara’s recent reactions. While it’s understandable why Sitara feels a certain way about Rustam, this storyline isn’t as convincing as others.

The cast of Akhara greatly enhances the drama, with each actor portraying their roles authentically. While Kashif Hussain’s portrayal of Rustam may not resonate as strongly, and Sonya Hussyn may not seem like the perfect fit, the rest of ensemble cast is perfectly suited for their roles. It’s particularly refreshing to see Waseem Abbas in a role that showcases his versatility and talent without any artificiality.

Waseem Abbas’s role in Akhara reminds viewers of his past iconic characters, confirming his status as a seasoned and outstanding actor. Portraying the devoted father dealing with family legacy and sacrifices, he brings depth and sincerity to Hakim’s character. His character’s development journey is impressive, and Waseem Abbas’s exceptional performance adds emotional depth to the story. He effortlessly grabs attention in every scene, leaving a lasting impact on viewers.

Feroze Khan’s performance in Akhara is undeniably strong, despite occasional changes in his accent. He portrays Dilsher’s complex personality convincingly, especially in showing the character’s underlying anger and stubbornness. Additionally, Feroze Khan effectively showcases Dilsher’s sensitive side with equal conviction, enhancing his performance and creating an engaging viewing experience.

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Srha Asghar delivers an impressive performance in Akhara, effortlessly connecting with viewers. Her portrayal of Hajra’s character is memorable, allowing viewers to empathize and connect with her easily. Srha’s authentic depiction of Hajra has significantly enhanced this storyline, making it more impactful and memorable.

However, Sonya Hussyn’s talent seems underused in the drama so far. Her acting potential and her character’s portrayal fall short of expectations. Despite her abilities as a performer, her on-screen persona feels mismatched, and styling choices leave much to be desired. Additionally, the dynamic between Shahzad Nawaz and his on-screen daughter lacks believability, which affects the authenticity of their relationship. Similar to ‘Mein,’ Shahzad Nawaz’s persona appears more dominant than that of his on-screen daughter. While Sitara’s character may aim to convey sophistication, the on-screen execution lacks in that aspect, indicating a gap between the character’s portrayal on paper and on-screen.

In his role as Sultan, Faraz Farooqui delivers a performance full of sincerity. Even though Sultan exists early from the screens, his tragic death and its aftermath drive the main storyline. The strength of this plot lies in Sultan’s deep connection with each family member, portrayed effectively on screen. Faraz Farooqui’s portrayal of Sultan is a significant milestone in his career, and I hope to see him in more dramas to showcase his acting skills.

The two major fight scenes were crucial moments in the drama. However, the execution of these scenes didn’t meet expectations. They lacked the intense impact needed to fully captivate the audience. On the other hand, Shamoon Abbasi’s entry scene stood out as an excellent example of how fight sequences should be done. His entry not only surprised me but also set a high standard for depicting physical conflicts. Improving the choreography and execution of fight scenes could enhance the drama’s overall impact and engagement.

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Yasra Rizvi’s character was introduced in a very intriguing way. She is one of the actors in the drama who fits her role perfectly. It’s refreshing to see actresses taking on unconventional roles in dramas.

The stage is set for the big fight, and currently, Dilsher is unaware that Rustam is Chaudhry’s son. I’m eager to see how the story unfolds once he learns the truth, as it will have a significant impact on everything!

Are you watching Akhara? Share your thoughts about it.

Dua Ali

I'm Dua. I've been involved with various websites and news agencies. Holding a master's degree in Mass Communication, I'm keen on media and news writing. I'm an enthusiastic individual with a passion for writing and creative thinking. Novel writing is both my hobby and my passion.

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